Stories and insights from the team at SilverSun, covering video production, animation and film post.
On a low‑budget film, it’s tempting to treat sound as something you’ll “sort out at the end”. The directors cut picture, they start hunting for a sound designer, someone to do foley, maybe ADR if there’s…
Over the last couple of years, we’ve deliberately nudged clients away from stiff scripts, stock footage and perfect soundbites that don’t really sound like them. We know audiences trust videos that feel more like real people…
Video post‑production doesn’t look “dirty” in the way a film set full of trucks and generators does, but it still has a real environmental footprint. Every server, export, upload and delivery uses energy and storage, and…
AI has gone from novelty headline to everyday reality. It now sits inside our edit systems, captioning tools, noise reduction plugins and even some of the planning tools we use before a camera ever rolls. It…
When The Grainery asked SilverSun Pictures to handle the audio restoration and new Dolby Atmos mix for CROCODILE DUNDEE: THE ENCORE CUT, I teamed up with fellow re‑recording mixer and sound editor Tim Duck to help…